『한정우기(閑情偶寄)』 중 조원(造園)공간의 생태미(生態美)

Abstract

The human beings, nature, and society have mutually beneficial aspects and are intricately linked in ecological aesthetics. therefore, this study is focused on demonstrating that ecosystems’ ecological aesthetics of coexisting living environments are influenced by the voluntary changes people make to their lifestyles. a practical aesthetics book ‘Xianqingouji’ 閑情偶寄 was examined in this regard. Liyu’s (李漁) method of building the Landscaping space in the ‘Xianqingouji’ suggests a specific approach to harmonizing the ecological environment with human life and expressing ecological aesthetics. as such, this method utilizes the ecological beauty of life in real life, as well as practicing the Tao (道) through the artificially create space. All things and humans in an ecological aesthetic. Liyu’s (李漁) suggested a balanced relationship between human activity and the ecological environment based on the Confucian doctrine of The synthesis between people and nature through voluntary changes in human activities for natural reproduction in the ‘Xianqingouji’. Consequently, this suggests an ecological aesthetics in the living world based on natural ecology that prevents the destruction of the natural environment. This is an alternative to the human-centered world view, which is a mechanistic perspective, which has implications for present-day society. in the book ‘Xianqingouji’s record of garden space, humans are considered a part of nature, and it proposes a method in which ecological beauty can be experienced by everyone without discrimination based on Taoist principles that everything is equal. This is a plan of evoking human activity and the environment using a combination of personal warmth and natural mood in daily life in order to create an ecological and aesthetic art space at the edge of voluntary change.