졸정원(拙政園)을 통해 본 중국 정원 예술 디자인과 도가미학의 관계

Abstract

Scientific and technological civilization has not only brought material and life convenience to mankind, but also accelerated the rapid development of modern cities. In particular, the separation of architecture and nature after entering the modern era has hindered the harmony and unity of man and nature. In the face of serious ecological changes and natural destruction of the earth's environment, in this case, the oriental courtyard art and design is of great significance. The courtyard is not only an important part of the integrated culture of oriental art and design, but also a symbol of the harmonious coexistence of mountains, water, forests, fields, lakes, grass, sand, people and ecology, fully reflecting the concept of harmonious coexistence between people and nature. In particular, Chinese garden art in the Ming and Qing dynasties has become the object of the study of oriental wisdom by scholars around the world. This paper studies the characteristics of Chinese garden art and design as well as the aesthetic spirit of Taoist aesthetics embodied in the Humble Administrator's Garden(Zhuo Zheng Yuan 拙政園), which is the most representative garden and is known as the "model of the world garden". In particular, through the gardening concept and gardening elements of Humble Administrator's Garden, this paper analyzes the Taoist aesthetic characteristics of "conform to nature(顺应自然)", "virtual and real co-exist(虚实相生)", "empty and quiet mind(虚静遊心)", “hide from the world and do nothing(隐世无为)”, and then analyzes the relationship between the courtyard and Taoist aesthetics. From this, we can deeply understand the internal thought of Chinese gardens and the profound meaning of garden art to the sustainable development of modern urban environmental construction. At the same time, it can be seen that the "unity of nature and man" in oriental aesthetics has practical significance for the construction of the ecological aesthetic relationship among people, cities and nature in reality.