헌종(憲宗) 무신년(戊申年) 진찬의궤(進饌儀軌) 유소(流蘇) 연구
A Study on Yuso of Musin Jinchan Uigwe in the era of King Heonjong
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Yuso, a traditional Korean hanging decoration, is found many records in the royal court banquet Uigwe. There are many records in the "Jinchan Uigwe" in the Musin year compared with other "Yeonhyang Uigwe". The purpose of this study was to identify the characteristics of Yuso in "Jinchan Uigwe" in the Musin year of King Heonjong in Joseon. Literature reviews and field studies were conducted. Nineteen royal banquet Uigwe from "Jinchan Uigwe" in the Musin year and Yuso information in veritable records, including Sejong Silok, Orye, and Akhakgwebeom were reviewed. Besides, previous studies and publications were researched, and data were collected from the National Palace Museum, the National Gugak Center's Museum of Gugak, and other museums. As a result of this study, there were five types of Yuso: a ceremonial decoration object, a ceremonial royal court dance object, a royal court music instrument, a musical instrument, and Hansam. There were five styles of Yuso: a long dangle style, a lace-up style, a knot and tassel style, a beaded tassel style, and a feather beaded style. Yuso consisted of in a variety of colors- red, navy, green, yellow, orange, white and black, and was made of silk threads, flannel threads, gold papers, gold leaves, gourd beads, pheasant tail feathers, blue papers, and wood beads. The string was made of a variety of materials, and a knot was not found in some cases. There is not yet scientific consensus on understanding Yuso, and therefore the research findings provide ascertainable information about Yuso.
Abstract
Yuso, a traditional Korean hanging decoration, is found many records in the royal court banquet Uigwe. There are many records in the "Jinchan Uigwe" in the Musin year compared with other "Yeonhyang Uigwe". The purpose of this study was to identify the characteristics of Yuso in "Jinchan Uigwe" in the Musin year of King Heonjong in Joseon. Literature reviews and field studies were conducted. Nineteen royal banquet Uigwe from "Jinchan Uigwe" in the Musin year and Yuso information in veritable records, including Sejong Silok, Orye, and Akhakgwebeom were reviewed. Besides, previous studies and publications were researched, and data were collected from the National Palace Museum, the National Gugak Center's Museum of Gugak, and other museums. As a result of this study, there were five types of Yuso: a ceremonial decoration object, a ceremonial royal court dance object, a royal court music instrument, a musical instrument, and Hansam. There were five styles of Yuso: a long dangle style, a lace-up style, a knot and tassel style, a beaded tassel style, and a feather beaded style. Yuso consisted of in a variety of colors- red, navy, green, yellow, orange, white and black, and was made of silk threads, flannel threads, gold papers, gold leaves, gourd beads, pheasant tail feathers, blue papers, and wood beads. The string was made of a variety of materials, and a knot was not found in some cases. There is not yet scientific consensus on understanding Yuso, and therefore the research findings provide ascertainable information about Yuso.
참고문헌 (29)
- "의궤"[URL]
- "규 14372"[URL]
- 박진영, "조선시대 공신화상 유소 연구", 석사, 전통기법재현, pp.2010
- 이승리, "국립고궁박물관 소장 태조어진 장황 유소의 제작기법 및 보존처리 연구", 석사, 문화재보존학과, pp.2013
- 최인숙, "『세종실록』 유소 도해분석을 통한 노리개제작에 관한 연구", 석사, pp.2015
- 최인숙, "『악학궤범(樂學軌範)』 유소 매듭 분석을 통한 신한복 장신구 개발", 기초조형학연구, 19(1), pp.551~564 (2018), 한국기초조형학회[DOI]
- 이가민, "한국 전통매듭의 조형성을 활용한 패턴디자인", 석사, 전통복식디자인전공, pp.2012
- 공정희, "전통매듭의 형태를 활용한 장신구 디자인 연구", 석사, pp.2015
- 박희란, "전통 매듭의조형적 특성을 활용한 텍스타일디자인 연구 : 침구 디자인을중심으로", 석사, pp.2015
- 장지혜, "한국 전통 매듭을 응용한 현대적 어깨장신구 디자인연구", 석사, pp.2016
- 박윤미, "전통 다회의 선행연구 동향 및기능보유자의 제직 직기에 관한 고찰", 아시아민족조형학보, 12 (2013)
- 박윤미, "전통 다회 직기의 형태와 구조에 관한 연구", 한복문화, 18(2), pp.139~151 (2015), 한복문화학회[DOI]
- 박윤미, "일본에 전래된 다회에 관한 연구", 한복문화, 18(3), pp.149~160 (2015), 한복문화학회[DOI]
- 최연우, "조선시대 왕실 예복에 사용된 다회(多繪) 및 망수(網綬) 연구", 복식, 66(5), pp.133~148 (2016), 한국복식학회
- 박선경, "한국 다회의 특징과 변천에 대한 고찰", 아시아민족조형학보, 20 (2019)
- 손선숙, "響鈴舞 呈才圖 硏究 - 『進爵儀軌』·『進饌儀軌』·『進宴儀軌』를 중심으로 -", 한국음악사학보, (38), pp.79~106 (2007), 한국음악사학회
- 손선숙, "의궤 정재도의 도상학적 연구(Ⅲ): <관동무>․<광수무>․<무산향>․<무애무>․<선유락>․<연화대무>․ <처용무>․<초무>․<춘앵전>․<침향춘>․<학무>․<향발무> 정재도를 중심으로", 무용역사기록학, 40, pp.141~186 (2016), 무용역사기록학회
- 국립중앙박물관 미술부, "한국 전통 매듭, 균형과질서의 미학", pp.49~ (2004), 한국박물관회
- 박진영, "조선시대 공신화상 유소 연구", 석사, 전통기법재현, pp.2010
- 국립국악원, "국악기 실측 자료집 1" (2008), 국립국악원.
- 김희진, "아름다운 우리 매듭", pp.17~ (2008), 그라픽네트
- 민족문화추진회, "해행총재" (1978), 민족문화추진회
- 권지연, "The Kings at the Palace: Joseon Royal Court Culture at the National Palace Museum of Korea", pp.52~ (2015), 국립고궁박물관
- 국립고궁박물관, "조선 왕실의 가마", pp.13~ (2006), 국립고궁박물관
- 국립문화재연구소, "중요무형문화재 제22호 매듭장", pp.47~ (1997), 국립문화재연구소
- 허동화, "(우리가 정말 알아야 할)우리규방문화", pp.242~ (2006), 현암사
- "대봉유소"[URL]
- 成俔, "신역 악학궤범", pp.367~370 (2000), 국립국악원
- 국립문화재연구소, "독일 라이프치히그라시민속박물관 소장 한국문화재", pp.191~ (2013), 국립문화재연구소