雜歌 <배따라기>의 유형과 구성 원리

Abstract

<Bae-Dda-Ra-Ky> is one of the most famous song that had been enjoyed by the people in early modern period in the Kyeung-gi(or Seoul) and Pyeung-an(Pyeung-yang) province, a middle and northwest parts of the Korea Peninsula. It is certain that this song was created and enjoyed at Pyeung-an province at first, and spreaded out other province latter, especially Kyeung-gi(Seoul) province, the center of diverse modern culture in Korea. But we did not recognized the difference at the words of song enjoyed in Kyeung-gi and that in Pyeung-an province. In this thesis I tried to show some differences at it's type and structural principal. In conclusion it can be said that more than two types are exist in this song. <Bae-Dda-Ra-Ky> enjoyed at Pyeung-an province can be called type B, and the other song enjoyed at Kyeung-gi(Seoul) province can be called type A. Type B had some names of places that may be known easily by people who lived in Pyeung-an province. But type A has not those names of places, and it boiled down those names, so it showed more popular and can be known easily by any people in another provinces. The second difference is that type A has the purpose increasing it's reality and maximization of tragic situation in the song. And Type B is more talkative beyond it's story in some parts.