『남훈태평가』소재 시조의 唐詩 수용 양상과 의미

Abstract

The “Banggakbon(坊刻本)” began to be published in the 18th century, because the purpose of making commercial publishing has been published aimed at the public. "『Namhuntaepyeongga(南薰太平歌)』" for this purpose was published in 1863 by banggakbon. This book appears much as Sijo accepts the Chinese poetry. This paper looked at Sijo of accommodating the Tang poetry(唐詩) Sijo contained in Banggakbon 『Namhuntaepyeongga』. Tang poetry can accommodate 11 founders of the number 29 is the product of the 18th century and the 19th century, five numbers, but singing is a work created prior to publishing 『Namhuntaepyeongga』. When seasonally separated them on 11 the 18th century, the number 16 in the 19th century. So a lot of work was created in the 19th century. But from the eponymous Tang poetry acceptance of previous been activated in the second half of the 18th century, came to the 19th century, it became more vigorous. Sijo accommodating the Tang poetry the previous time was in the 18th century, mainly Gagokchang(歌曲唱). Gagokchang is a song that can not be easily enjoyment of the general populace. However, those who enjoy the Gagokchang while negotiations with the increasing Sijochang(時調唱), Gagokchang also became known this Sijochang. Thus many people have been able to easily access the Gagok lyrics. Tang poetry inserted in Sijo are some verses that were mainly in the form used. This aspect can be enjoyed even when Tang poetry among those who enjoyed Sijo. Sijo people enjoyed increased while the buyers know the novelties Tang poetry inserted in 時 調 would have increased the interest in Tang poetry. There is a possibility that "Tang poetry of anthology(唐詩選集)" actively publishing in this banggakbon interest in this genus.