『남훈태평가』의 필사본 유통 양상

Abstract

Based on the previous research achievement of the circulation of 'xylographic version(인간본),' the aim of this study was to examine circulation of a manuscript of Namhun Taepyeong-ga(남훈태평가) as another aspect of the circulation thereof. The objects of the examination in this study were Namhun-jeon Taepyeong-ga(남훈전태평가) owned by Yeo Tae-myeong and Namhun Taepyeong-ga(남훈태평가) owned by National Folk Museum of Korea both of which were introduced for the first time in academia by this study. The most unique feature of the manuscript Namhun Taepyeong-ga(남훈태평가) was as follows. It used the xylographic version as a reference, however, the author of the manuscript removed certain pieces, instead of merely copying down, by reflecting the actualities of songs experienced by the author. Namhun-jeon Taepyeong-ga(남훈전태평가) owned by Yeo Tae-myeong contains 189 pieces excluding 35 pieces from the xylographic version, whereas Namhun Taepyeong-ga(남훈태평가) of National Folk Museum of Korea contains only 136 excluding 88 pieces. Moreover a significant difference in transcription was found in the manuscript and certain pieces were replaced by differently formatted ones. Another feature of the manuscript Namhun Taepyeong-ga(남훈태평가) was an addition of new pieces which were not included in the xylographic version. Namhun-jeon Taepyeong-ga(남훈전태평가) owned by Yeo Tae-myeong included additional 9 pieces in sijo section, and 2 pieces of 'Honorable Yulgok Gugokga(율곡선생구곡가)' which were considered to have been additionally included at the end of the collection by the following generation. Moreover in gasa section, 'Cheosaga(처사가)' and 'Eobusa(어부사)' were removed and 'Honorable Toegye Dodeokga(퇴계선생도덕가)' was added. Namhun Taepyeong- ga(남훈태평가) of National Folk Museum of Korea which used the xylographic version as a reference, included significant amount of additional pieces before and after the main section. The number of sijo pieces newly included amounts to 51 and regarding gasa section 'Hwanggyesa(황계사)' and 'Chu-punggambyelgok (추풍감별곡)' were added. Additionally 'Gwonjuga(권주가)' and 'Jangbuga(장부가)' were also newly included. Based on the research analysis, the manuscript Namhun Taepyeong-ga(남훈태평가) was revealed to be a renewal as a collection of songs completely different from the xylographic version. The manuscript Namhun Taepyeong -ga(남훈태평가) is a text reflecting the reality of gachang in late 19th and early 20th Century thanks to the active intervention of the author of the manuscript.