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방각본 한글 가집 『남훈태평가』의 서지 연구

A Bibliographical Study of Namhuntaepyeongga(南薰太平歌), the Commercially Woodblock-Printed Korean Anthology of the 19th Century

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초록

Namhuntaepyeongga(南薰太平歌) is a commercially woodblock-printed Korean anthology of the 19th century, which contains sijo, japga and gasa. Its first edition was published in Seoul in 1863, and it was later reprinted several times. A different version of Namhuntaepyeongga was published from the late 19th century to the early 20th century. Because Namhuntaepyeongga is the only commercially woodblock-printed Korean anthology, it has occupied the attention of scholars and has, for more than twenty years, been treated as very important material in many studies referring to the spread of sijo or the popularization of sijo. By comparison, bibliographical studies on Namhuntaepyeongga have only been undertaken quite recently, and there are still several questions to answer. The two most important questions, which we must answer without delay, are these: do we have the first edition of Namhuntaepyeongga? If not, can we infer what it looked like from the reprints or the different version of Namhuntaepyeongga? To answer these questions, this study examines the books we have today as closely as possible.

Abstract

Namhuntaepyeongga(南薰太平歌) is a commercially woodblock-printed Korean anthology of the 19th century, which contains sijo, japga and gasa. Its first edition was published in Seoul in 1863, and it was later reprinted several times. A different version of Namhuntaepyeongga was published from the late 19th century to the early 20th century. Because Namhuntaepyeongga is the only commercially woodblock-printed Korean anthology, it has occupied the attention of scholars and has, for more than twenty years, been treated as very important material in many studies referring to the spread of sijo or the popularization of sijo. By comparison, bibliographical studies on Namhuntaepyeongga have only been undertaken quite recently, and there are still several questions to answer. The two most important questions, which we must answer without delay, are these: do we have the first edition of Namhuntaepyeongga? If not, can we infer what it looked like from the reprints or the different version of Namhuntaepyeongga? To answer these questions, this study examines the books we have today as closely as possible.

참고문헌 (10)

  1. 성무경, "普及用 歌集 남훈태평가의 印刊과 시조 향유에의 影響(1)", 한국시가연구, 18(18), pp.347~386 (2005), 한국시가학회
  2. 전재진, "남훈태평가의 印刊과 개화기 한남서림 서적발행의 의의", 인문과학, 39(39), pp.3~30 (2007), 인문과학연구소
  3. 고미숙, "19세기 시조의 예술사적 의미", pp.195~ (1998), 태학사
  4. 김은희, "조선후기 가창문학의 존재양상", pp.240~ (2005), 보고사
  5. 최규수, "19세기 시조 대중화론", pp.19~ (2005), 보고사
  6. 조윤제, "古圖書 解題(6)-南薰太平歌", 朝鮮語文, 7, pp.49~ (1933)
  7. 이능우, "普及用 歌集들에 대하여 in: 韓國詩歌文學硏究", pp.174~ (1983), 신구문화사
  8. 이유진, "19세기 시조창 대중화에 대한 재론", 국문학연구, 16(16), pp.187~213 (2007), 국문학회
  9. 이창헌, "이야기문학 연구", pp.177~ (2005), 보고사
  10. 심재완, "時調의 文獻的硏究", pp.68~ (1972), 세종문화사

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