玄洲 趙纘韓 散文의 硏究 -17세기 초 文壇의 風情과 관련하여-

Abstract

The mid-Choson from the late 16th century to early 17th century was blinking period that had been a great diverse literary aspect in the korean literature in classical chinese. Even though influence of Con -fucianism that set low value on the literature had been intensified, but a unrestricted literary spirit which had formed in the 15th century was maintained it’s inertia even in this period. A case of proses, There were formed afresh restorative style’s currents united Tang-sung writings that has been superior position with Qin-Han writings. However the advent of restorative prose was directly or indirectly affected by a leader of restorative school as Li panlong and Wang shizhen who were predominated over the Ming Dynasty’s literary arena. therefore up to the present, the former researches inferred Cho Chanhan’s prose had a restorative style undoubtedly, because He was appraised a Mr. Li and Wang with a favorable eye. But in view of the results about his articles so far achieved, There was not founded a distinguishing characteristic of restorative prose as a strange and concise style, partition and inversion of wording, ambiguous quotation and metaphor et cetera. For that reason, we could realized that Mr. Cho’s concern on restorative school was restrained under certain restricted level. But even though a critics recognize Mr. Cho as a restorative author, because he wrote Cifu(辭賦) and Pianwen(騈文) which was disregarded by the then author much more than prose, so that accomplished unique and antique style literary world.