玄洲 趙纘韓 散文의 修辭 特徵과 그 背景

Abstract

Hyun Ju Cho, chan-han(1572～1631) understood several styles regardless of poetry(詩) and prose(散文) to train the skill of creation. Especially he designed certain literary devices intentionally in the several aspect of rose expression. The aim of this paper is to pursue the characteristic phase that Hyun Ju’s prose shows in the rhetoric aspect, it is largely divided into 4 things. First, Nowness(現場性) of description(敍述) is raised by description(描寫) and the catechetic method(問答). The careful description and description method of question and answer raised the sense of realism in developing the discussion or describing the scene. Second, Main contents(主旨) be circuitously deliverred(傳達) through an allegory(寓言). Hyun Ju preferred indirect Pungkan(諷諫) method to the direct description and preferred an allegory(寓言) to plain speaking(正言) to encourage the readers’ interest and leave the lingering imagery. Third, original(原作) was refreshingly parodied. 『Seokyung(書經)』·『Zhuangzi(莊子)』·Yang ung(揚雄) and Bu(賦) of news were parodied but he was not attracted by magnetic field(磁場) of original(原作) and built his own boundary. Fourth, he maximized the effect of stylistic(文體) transformation(變用). Works that embodied same materials into different styles can be found. It is the case that demonstrates Hyun Ju paid the special interest in each style. The rhetoric feature of this Hyun Ju’s prose is Jinhan(秦漢) gomun(古文). Especially, it seems to have a close relationship with 『Zhuangzi(莊子)』. It borrowed the naming(作名) technique of 『Zhuangzi(莊子)』 in light of expressive skill and borrowed various characters, materials, and terms in 『Zhuangzi(莊子)』 and used the an allegory(寓言) method positively commonly discovered in 『Zhuangzi(莊子)』. Also making the transcendent sight into the work in light of reason lets us think of the relationship with 『Zhuangzi(莊子)』.