「でる」와 ‘나가다’의 의미에 대한 대조연구

Abstract

‘でる’ and ‘나가다’ contain similar and different metaphorical significance. Based on the prototype, ‘physical movement’ of ‘でる’ becomes gradually faded in terms of its metaphorical significance as it expands from one to six. Also, ‘でる’ has more relevant correlations with ‘나오다’ than ‘나가다’ as it expands. This greatly contradicts with the conventional education. The biggest difference in ‘나가다’ and ‘나오다’ is the image schemata of ‘extinction’ and formation’, and its application is shown in table 2. Image schema of ‘でる’ that only correlates with ‘나가다’ is well devoted for the significance of the prototype, whereas image schema of ‘でる’ that only correlates with ‘나오다’ focuses on receiver (point of arrival). When ‘でる’ correlates with ‘나가다･나오다’ depends on the viewer of the speaker. In other words, even if a notion is equally understood by everyone, the significance of a verbalized movement depends on how a speaker describes it. Some Korean-specific expressions of ‘나가다’ is shown in the following; 1) ‘돈이 나가다’ is used as ‘spend money’, 2) ‘범퍼가 나가다’, and ‘옆구리가 나가다’ is used as ‘unusably worn out’, 3) ‘값이 나가다’, and ‘무게가 나가다’ is used as ‘measured to some degree (i.e., value, weight, and etc), 4) ‘진도가 나가다’ is used as ‘something has progressed’, 4) ‘정신이 나가다’ is used as idiom. One example of Japanese-specific expression is ‘電話にでる’.