무용의 상상력과 표현

Abstract

This study intends to apprehend the conception of imagination. Imagination in art is considered to be remarkable in its aspects of significance and effect. Also the study deals with the different aspects of imagination in science and work of art, with the different appearance of image and feeling in choreographer and perceiver. Followings are the ideas discussed and considered throughout the study. Art work is imagine by experience, on the other hand, the science depends on observer’s recognition. The artistic imagination is a power for expression, spontaneity and creation. Choreographer’s imagination and feeling in his work is different from the imagination and feeling formed by audience. Cognitive image concerned to creation of dance is different from the image formed by perceiver’s interpretation of dance. Science and art works are identical in forming of imagination, however they have different characteristics from art works appealed to perceivers. By inducing recollection and experience as well as stimulating imagination, choreographer expresses image as perceivable form and signifies his work of dance. Imagination in science concerns to image, sign, language and physicality in abstract. Perceiver projects the sensitive experience in recollection, reproduces informed images in order to form new images. Perceiver is required to perceive and imagine for understanding and significance of artist’s work.