무용에서 감성과 창의성의 개념 연구

Abstract

This study explored its significance by classifying the field in dance into the creative aspect and the appreciation aspect in order to present a concept in sensitivity and creativity in dance. The special significance was explored other than the common significance, by comparing sensation and recognition related to artistic creation, ‘sensitivity’ in the field of psychology, and ‘sensitive recognition’ in dance. And, ‘creativity’ was deemed to be ability necessary for the process of making a result of sensitivity with a proposition of correlation between creation and sentiment. And, its significance was inquired. Ultimately, this study saw sensation & sensitivity, and imagination & symbolism as the elements of creativity in dance. Through the relationship between these elements, a concept of sensitivity and creativity was elicited. And, the following conclusions were obtained with a method of comparing the general reaction and sensuous stimulation as for creativity and sensitivity in dance. ○ Sensitivity in dance implies ability of being able to recognize through sensation beyond ability of accepting anything, by having sensation as medium. ○ Sensitivity in dance is what is decisive and clear as what can be symbolized. ○ As sensitivity is one of essential elements for dance to exist as work in both aspects of creation and sentiment in dance, it is the top reaction to stimulation of sensation. ○As creativity in dance is reaction to stimulation, it implies ability of making cultural or artistic product. ❍ ‘Creativity in dance’is not what sensitivity as experience by sensation disappears from memory after being simply stored, but what is a desire for formalizing into dance. ❍ Creativity is a condition for production in dance and a tool in sentiment and understanding. And, the constituentin creativity is artistic imagination.