조선 문인의 數詩 수용과 변주 양상

Abstract

Numeric Poetry(數詩) is a form of miscellaneous poetry that began with the Pojo(鮑照) of the Song Dynasty. Pojo composed his work with 5 letters and 20 verses, arranging the first letters of odd-numbered phrases from ‘一’ to ‘十’. In this way, he has captured the essence of his life. Choseon Dynasty writers also continued to create works under the influence of Pojo works. In this paper, the acceptance and variation aspects of Numeric Poetry were examined. The miscellaneous poem was not considered to have been made as a joke. The Choseon Dynasty writers also maintained the trend of his works. However, in special circumstances, there are works with special contents. Kim Se-ryum, Hwang Ho, and Nam Yong-ik visited Japan and harmonized with Japanese writers, capturing the friendship between the two countries. Prince InPyeong and HwangHo mentioned the invasion of the Qing dynasty, and contained a ceremony to honor the Ming dynasty and reject the Qing dynasty. In this regard, it is not possible to cover the whole with the simple tendency to play. In terms of form, it was used in a variety of ways, out of the basic form. There were works that used '一' to '十' as well as '兆', and instead of arranging numbers in the first letter of odd-numbered phrases, numbers were arranged in the first letter of each phrase. In addition to the five letters, the work was composed of seven letters and even seven letters and four phrases. This seems to be to show his own poetic talent by applying various constraints on his own. Writers continued to create works that had the characteristics of a comedy, and they did not stop at a comedy, but contained the current situation and their own examination of it. Also, through formal variations, showed his poetic talent to the fullest. This is inconsistent with the existing general evaluation, and various approaches must be taken.