계보를 획득한 야담들과 그 서사적 특징

Abstract

In Yadam, the same story from the same pixel to the narrative structure has been read to the reader over a period of over 300 years. This means that other readers who lived in a different era wrote the Yadam in the same way while reading the stories of the previous era. If so, why did it happen, and what is the meaning of this phenomenon? What did Yadam do with repetitive writing in this way to convey what? In order to find the answer to this question, this paper focused on 20 kinds of Yadams that have been authentically published in the “Authentic Korean Yadam collection.” It was understood that the work of the same pixel was continuously read by readers from the 17th to the 20th century. It was the genealogy of Yadam's work that revealed this circumstance. Therefore, the author tried to examine the types and characteristics of the works in which the genealogy is revealed, and what kind of changes appear in which types of works. Contrary to the bizarre and bizarre story of God working at the base of the work and the story of acquiring economic wealth through wealth, narrative variation was frequently identified, and the points where the variation occurred were characteristic. As the times change, Yadam chose a more universal and standardized type of work, even though it had to be created by introducing newer events and characters. Characters and events determined in the real world of the time were inherited by attracting the interest of readers from different times. In the process, the artist took the method of following the original work, or even modified it according to the individual's consciousness and attitude. In order to read and understand the story of the previous era, the reader of the Yadam tried to stand as close as possible to the prevailing ideology of the era in which the work was written. In particular, this tendency of readers was more evident in the 19th century sagas such as Giri Chonghwa, Gyeseo Japrok, Cheonggu Yadam, Dongya Hwijip, and Geumgye Phildam. This is because the author reads and reprints the previous sagas and takes variations in the direction of further solidifying the author's personal desires and ideology, and uses a female figure as a narrative mechanism differently from previous works. It was intended to create or bring specific types of people and events, to keep that image as it is, or to reinforce it in other ways, and to signify the work.