후안 마요르가(Juan Mayorga) 『하멜린(Hamelin)』의 ‘몬테로’ 연기접근 방법 연구

Abstract

Juan Mayorga’s “Hamelin” seems to have the central theme of the judge’s recommendation and disciplinary action to solve child sexual harassment cases, however, it can be said to be a “Post-Epic Theater” that highlights the socially disadvantaged suffering under the desire for power. “Post-Epic Theater’ is a new dramatic stlye that creatively inherits Brecht’s Epic Theater to overcome the limitations of ”Post-Drama“, which relies only on the dismantling of text and denies the reproducibility of the play. However, researches on ”Post-Epic Theater“ are done with only centered theories by several scholars in Korea, and there are also no practical studies on ”Hamelin“ as a ”Post-Epic Theater“ and characters’ acting approach. Therefore, by studying on the role creation of ”Hamelin“ and ”Montero“, this paper intends to examine the approach methodology applicable to the character shaping work of ”Post-Epic Theater“ and verify it focusing on the actual production process. To this end, a theoretical research on ”Post-Epic Theater“ was preceded, and three characteristics of ”Post-Epic Theater“ in ”Hamelin“ were derived. The three characteristics are first, inducing the audience’s empathy and alienation of the story through the scene composition and the double- story narrative of the parallel structure, second, urging rational thinking through the audience’s ”unfamiliar effect“ experience through role playing, and third, stimulating the audience’s dialectical meaning. Accordingly, in the process of constructing the ”Montero“ character, it attempted to induce the audience’s to concentration through the drama, and at the same time, to ask questions to the audience and to provide opportunities for critical thinking. Therefore, the following goals of creating the ”Montero“ role were derived. These include 1. ‘the level of Montero’s desire stage revealed as a social class’, 2. ‘Montero, who reveals the contradiction of double standards’. And through this analysis, Gestus was actively established to more clearly visualize the social problems that appear in ”Hamelin“. In addition, it was confirmed that the body-centered acting theory was required to perform rapid treansformation between actors and characters in the process of character construction. To this end, we tried to construct a ”Post-Epic Theater“ of ”Montero“ by using ”Effort“ of Laban Movement Analysis(LMA) by Rudolf von Laban, which can visualize internal impulses as physical movements. The research results through the actual production process are as follow. First, ”immediate tranformation of the character’s behavior in response to the commentator’s direct utterance“, Second, ”Visualization of internal conflict through the construction of Gestus“, and Third, ”inducing the audience to actively develop meaning by utilizing physical changes.“ The ultimate goal of this paper is to identify practical methodologies that allow the audience to think about the political and social meaning of the work with the effort of inducing participants’ simultaneous empathy and unfamiliarity effects in the actual production process based on the theoretical basis of ”Post-Epic Theater“.