후안 마요르가의 『맨 끝줄 소년』연출 접근 방법 연구

Abstract

Purpose of this writing is for suggesting one of empirical methods about approaching to directorial perspective of Juan Mayorga’s 『The Boy In The Last Low』. Firstly, I analyzed it as ‘representation by imagination’, ‘disturbance of reality and illusion’, ‘a third glance’ which are found in this play. The meta-theatricality which is realized from this production, makes audiences to experience alienation and it makes them to create simulacre characters instead of realistic ones which is focused on representing ones. For this concepts, I will summarize and organize the meta-theatricality in 『The Boy In The Last Low』 which is based on the theories of Richard Hornby and Lionel Abel. I also would like to propose hyperreal which exists in multi-layered epic matrix and creating simulacre characters as directorial approaches. As a result, I apply some training methods which are based on Anne Bogart’s Viewpoint for materializing production process, so I would consider effective results with Architecture and Kinesthetic Response as training methods for creating simulacre characters. The two approaches help me to establish ‘fluid transition of time/space and characters through Kinesthetic Response’ and ‘creating multi-layered space through Architecture’ in the production process. Her Viewpoints are more effective to create simulacre characters as physical access than realistic ones. I hopefully expect this work to suggest some new possibilities about directorial approaches of 『The Boy In The Last Low』.