歌曲 연창 방식에서 中大葉 한바탕의 가능성

Abstract

This study investigates the history of Sijo suggesting the potential of Joongdaeyeop (midium tempo) Hanbatang in the singsing method through examining the musical pieces of Joongdaeyeop and lyrics of those songs. The findings show evidences of the Joongdaeyeop forming it's fundamental structures during 17-18th centuries, which is better established structure than today's common understanding. In the early and middle of the 17th century, Joongdaeyeop was subdivided into four musical tones. However, it was yet to be subdivided into various musical pieces. The subdivided music pieces of Joongdaeyeop started to appear in the late 17th century. In the late 17 century, the structure of Joongdaeyeop which consisted of 4 tones × 3 pieces to make 12 pieces was established. In the early 18C, the words to represent each piece of Joongdaeyeop is fixed. After the division of pieces and fixation of the words, the Joongdaeyeop Hanbatang is established. In this line, the time between the late 17 century and the early 18C can be seen as the peak time for Joongdaeyeop. It has been believed through song books published in the middle of 18 century that Joongdaeyeop along with Mandaeyeop(slow tempo) were not sang during those times. However, reviewing resources of Sijo interpreted into Korean and of musical notes for traditional Korean stringed instruments in this study, it was found that Joongdaeyeop was sang in many occasion upto the middle of 18th century. This study found the existence of Joongdaeyeop Hanbatang through the song 'Dae(臺)' which is closing song of the Hanbatang. It is also found that, given the musical tones and pieces in it, Joongdaeyeop Hanbatang can consist of 12 pieces of song at maximum depending on the situation and that there was Dae support song to close Hanbatang.