분단체제 성립기 남북한문학사의 근세시가 인식과 정전화 양상 : 『한국문학사』와 『조선문학통사』의 시조·사설시조·가사를 중심으로 -

Abstract

This paper aims to examine the canonizing features of Korean poems and songs in the history of literature between South and North Korea since the division system was established. Description of literary history is a main device for inventing and registering canon. This history of literature was born in company with appearance of modern nation-state. A factor which has the greatest force among the external factors of canon formation is nation ideology and this canon would disseminate through the public education system. In this respect, literary works described in the history of literature between South and North Korea could have a modern conception of canonicity from 1948, in which the division system was formed as disparate governments were established in South and North Korea, to the late 1950 when the division system was entrenched. This paper firstly focuses on aspects that how nation ideologies of South and North Korea were viewed in the description of literary history. Different viewpoints on nationalistic and materialistic conception of history compose different contexts of canon in terms of genre, style and poetry works; and different lists of canon in Joseon Dynasty. Furthermore, this paper analyzes these canonizing features based on not only genre but pieces of works. The subject genres of this analysis are Sijo, Sasul-Sijo, and Gasa. In short, the main description of this paper is to investigate ideology of canon and authenticity of canon formation with Sijo, Sasul-Sijo, and Gasa according to time-based cross-section of the history of literature between South and North Korea at the time of establishing division system.