해방 공간에 대응한 가사문학―문학적 의미, 그리고 가사문학사적 의의―

Abstract

The purpose of this thesis is to examine the deployment aspect of Gasa created in response to the Korean Independence space, and to investigate the literary meaning and historical significance of Gasa. In Chapter 2, the deployment aspect of Gasa created in response to the Korean Independence space were examined. This chapter focuses on conveying objective facts such as the location of the work, the author, the time of creation, and the content of the work. The target works are as follows. Haebanggara, Haninsa, Joseongeongugga, Sagukgasa, Haebanghuhwanhuilakga, Haebanghwanhuiga, Jatanga, Baekuicheonsa, Wonmangga, Dandongseolyukga, Ilojeonjaenghoegoga, Haebangga, Chunpunggamhoelok. In Chapter 3, the literary meaning of these Gasa was investigated. These Gasa have a literary meaning that they functioned as documentaries of that time. These Gasa reflect the diverse lives of individuals living in the liberation space, and reflect the di- verse perspectives of the people who looked at the liberation space. Thus These Gasa functioned as a documentary testifying to the liberation space. In Chapter 4, the historical significance of these Gasa was investigated. These Gasa are materials that show in detail that Gasa still functioned as a living genre even after liberation. Therefore, it is necessary to reconsider the perspective of the Gasa Literature that the Gasa Literature entered a period of decline as it entered the Japanese colonial period. Meanwhile, the historical significance of these Gasa is limited in that most of the writers are limited to the Gyeongbuk region and that the world of works is all guaranteed feudality.