현대 규방가사의 문학적 특징과 시사적 의미

Abstract

Research of modern Gyubang-Gasa must be started systematically from now. Though there is growing a literary work, it is still cynical about modern Gyubang-Gasa. In order to construct of literary position of modern Gyubang-Gasa, it is required to throw away a prejudice. We should not only admire it highly based on succession of tradition, but also exclude it regarding as antiquities of the old era as well. It is certain that tradition of Gyubang-Gasa or Gasa is continued dynamically by these days, and have high possibility to be connected in the future. An author class of modern Gyubang-Gasa is composed of people who take over possession class of traditional Gyubang-Gasa, and most of them are aged people over 70. They have a strong tendency to show the propensity to tradition concerning consciousness of one´s family and woman. In terms of social issues, they didn't show a strict complaint mentality and intention of reform. However, it appeared to clean up discontent in a instructive tone which is put a part in the whole production. Furthermore, their historic consciousness is based on personal experience, and they have a will to record it in detail. Both lamentation and instruction are a typical emotion of Gyubang-Gasa. In case of lamentation, it showed a reduced tendency, but instruction is a enlarged trend in modern Gyubang-Gasa. Moreover, it was investigated it critically in three view points which include a formality of Gasa, record trend of as literature in general use and Gyubang-Gasa as a woman literature. Recitation contest of Gyubang-Gasa is held annually and recitation performance is continued in a variety of conference or meetings, suggesting that Gyubang-Gasa is a very promising. Together with reactivation of research of Gyubang-Gasa, the exchange between creation of work and research will give opportunity to be settled down and developments of modern Gyubang-Gasa.