첸카이거 영화의 시간과 역사 －1980∼90년대 영화를 중심으로－
Time and History of Chenkiger Movie -Centering around the Movie in 1980s-90s-
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This thesis aims at discussing the time and history of movie in 1980s-90s of Chen Kiger. For this, this researcher tries to borrow the theory of time-image of Dloiz. According to Dloiz, in case of modern movie, narrative on continuous line and unnarrative image to cause collision and severance are showing together. And, at this time, unnarrative image makes spectator be led into speculation that unnarrative image recalls, severing continuity on narrative. And,in this unnarrative image, past which enabled present and future times to be able to forecast through present show by being reiterated. And, spectator gets to rethink the meaning of movie whole through new time experience to be unable to experience in narrative on continuous line. This theory is closely related to feature which showed in the movie in 1980s-90s. In the movie in 1980s, historical questions such as Chinese feudal convention and education of cultural revolution period etc. are being laid in one side of narration. But, un-civilized elements to sever its narrative flow lead discernment for his-tory, while they reappear frequently as image. This movie style of Chenkiger come in contact with the situation in 1980s which had to make historical reshuffle newly after culture revolution. Movie after 1990s also, this narrative flow and the presentation of image to sever the vein are made. But,Chinese civilization which filled narrative image let seer experience time which have wide knowledge and fixed time excessively. In addition, historical question to be the frame of narra-tion brings about degeneration to movie style that Chen Kiger aimed, by bing mixed with this unnarrative element or beign subsided. This has relation with the internal and external situation of China which changed after 1990s. And, it can be said that Chen Kiger shows the traces that he was in agony in finding his own real form nature of movie in this course.
Abstract
This thesis aims at discussing the time and history of movie in 1980s-90s of Chen Kiger. For this, this researcher tries to borrow the theory of time-image of Dloiz. According to Dloiz, in case of modern movie, narrative on continuous line and unnarrative image to cause collision and severance are showing together. And, at this time, unnarrative image makes spectator be led into speculation that unnarrative image recalls, severing continuity on narrative. And,in this unnarrative image, past which enabled present and future times to be able to forecast through present show by being reiterated. And, spectator gets to rethink the meaning of movie whole through new time experience to be unable to experience in narrative on continuous line. This theory is closely related to feature which showed in the movie in 1980s-90s. In the movie in 1980s, historical questions such as Chinese feudal convention and education of cultural revolution period etc. are being laid in one side of narration. But, un-civilized elements to sever its narrative flow lead discernment for his-tory, while they reappear frequently as image. This movie style of Chenkiger come in contact with the situation in 1980s which had to make historical reshuffle newly after culture revolution. Movie after 1990s also, this narrative flow and the presentation of image to sever the vein are made. But,Chinese civilization which filled narrative image let seer experience time which have wide knowledge and fixed time excessively. In addition, historical question to be the frame of narra-tion brings about degeneration to movie style that Chen Kiger aimed, by bing mixed with this unnarrative element or beign subsided. This has relation with the internal and external situation of China which changed after 1990s. And, it can be said that Chen Kiger shows the traces that he was in agony in finding his own real form nature of movie in this course.
참고문헌 (30)
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