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영화의 다중 언어 대사 더빙 연구 - 한국 영화 영어 더빙을 기반으로

Dubbing Multilingualism in English-dubbed Korean Films

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초록

Filmmakers are increasingly incorporating significant portions of foreign dialogues in their films, reflecting the growing interaction of diverse cultures. Multilingualism in films requires translation into the target text, representing one of the most formidable challenges in audiovisual translation. Addressing multilingualism becomes particularly intricate in film dubbing as it replaces the original dialogue, creating the illusion that the dubbed dialogues are being spoken by the original actors. Korean films, mirroring the growing integration of contemporary societies, often incorporate substantial foreign discourse. This study investigates the dubbing translation of multilingual dialogues in Korean films released in North America, illuminating how foreign dialogues presented in Korean films are translated and dubbed for the target audience. To critically examine the strategies employed by dubbing professionals in handling on-screen multilingualism, the study zeroes in on the ways the diegesis of dubbed films undergoes changes.

Abstract

Filmmakers are increasingly incorporating significant portions of foreign dialogues in their films, reflecting the growing interaction of diverse cultures. Multilingualism in films requires translation into the target text, representing one of the most formidable challenges in audiovisual translation. Addressing multilingualism becomes particularly intricate in film dubbing as it replaces the original dialogue, creating the illusion that the dubbed dialogues are being spoken by the original actors. Korean films, mirroring the growing integration of contemporary societies, often incorporate substantial foreign discourse. This study investigates the dubbing translation of multilingual dialogues in Korean films released in North America, illuminating how foreign dialogues presented in Korean films are translated and dubbed for the target audience. To critically examine the strategies employed by dubbing professionals in handling on-screen multilingualism, the study zeroes in on the ways the diegesis of dubbed films undergoes changes.

참고문헌 (29)

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