漢詩 ‘四家’의 전원시 비교 고찰 — 『韓客巾衍集』을 중심으로 —

Abstract

Saga means four men who were, centered on new poetic style of late Chosun, Park Jega, You Deukgong, Lee Deukmu, and Lee Seogu. A number of researches on Hangaekgunyounjib or Saga have been reported. Even though they helped indicating status of Saga in their poetic time, they brought about a limitations which was depersonalizing about each poet in Saga. Because they treated the poets as the one frame called Saga. So I researches each poet’s discriminatory individuality from other poets focused on Saga’s pastoral poems. It is to overcome the limitation that Saga poets were treated as depersonalizing in Saga. Though Park Jega described the country like pictures, he had a certain distance. Because he appreciated the country as an antipode to his living place. He expressed the space of hermit life or contented consolation. This was a result of recognizing the country as the space of purity and unworldliness. You Deukgong wrote poems described farmers’ gruesome lives suffered from endless labor. He had a longing vision in their frank life He described reality of the pastoral beyond of ideal and abstraction. Lee Deukmu exerted to express the flavor of Chosun and to describe the real of country sensuously and realistic. For this, he wrote small materials of the country or the flavor only in Chosun in his poems. Not only he simply used small materials and the flavor but also he discovered artistic and academic values in them and authorized new values. Though Lee Seogu described the country as an ideal site, he recognized the country such as physical tiredness and a space which it could not get out from the mental agony.