신라 쌍탑가람의 출현과 신앙적 배경

Abstract

It is the very enormous changes that the Buddhist temple with twin pagoda appear in Buddhist architecture, Silla. We have studied that the background of this based ‘GyeonBotop section(見寶塔品)’ of Saddharmapu ar ka-sūtra(法華經), until. But not sure. Recently, Sukga pagoda and Bulguk pagoda, twin pagoda in Bulguk temple, to has supported this thesis turned out to be not the name of them founded at first time through the record on the repairing them. Becaruse the change of form is a reflection of the awareness changed, new form of the Buddhist temple with twin pagoda is closely associated with the change of Buddhist faith, in the late 7th century, Silla. The appearance of Buddhist temple with twin pagoda, in Silla, has relation to Myeongnang Buddhist monk played an essential role in the founding of Sachunwang temple and YangJi taken the lead the new style of Buddhist Art. Especially, faith of Mueongnang, turned out the founding of Geumgwang temple and Sachunwang temple is based on Suvar aprabh sottamar ja-sūtra(合部金光明經) this Sūtra led the Buddhism or defence of fatherland-religion since the mid-7th century in Silla and same time as The appearance of Buddhist temple with twin pagoda. it has relation to the ‘Samsimbunbyel section(三身分別品)’ and the ‘Sasin section(捨身品)’ of Suvar aprabh sottamar ja-sūtra(合部金光明經) the main hall of it and twin pagoda are able to have architectures symboliaing three body(Samsin, 三身) said on it. For example, YoungChuk Mt.'s Paradise painting Painted on Okchung-Juja(玉虫廚子) at Horyuji temple(法隆寺) in Japan, the mid-7th century, is to express Buddhist temple with twin pagoda by paintings to based on the Samsimbunbyel section(三身分別品) of Suvar aprabh sottamar ja-sūtra(合部金光明經). and Single Pagoda- Tree image Halls, the main of Buddhist temple form in Silla, dissipated with the appearance of this. also, though the change of Sarira Reliquary form we guess that the meaning of Buddhist Pagoda change from the grave of Buddha to the house of Buddha.