전주대사습놀이 전국대회와 판소리 경제생태계의 구조

Abstract

This paper is designed to examine the problems of the Korean traditional music competition and to clarify the structure of the Pansori economic ecosystem. Around 1960, Pansori as an entertaining art had come to an end, and efforts to revive Pansori were started among Pansori singers, governments and Pansori lovers. In this process, Pansori was redefined as a “national culture.” Under this circumstance Jeonjudaesaseup was restored to revive the tradition of Pansori. In the early days of Jeonjudaesaseupnori National Pansori Competition, Pansori lovers took the lead with the cooperation of community leaders, businessmen and artists. Most of the singers who won the grand prix in the beginning of Jeonjudaesaseupnori National Pansori Competition, became holders of intangible cultural properties through the member of The National Pansori Theatre Company Of Korea. In addition, since 1994, the right to select Isuja(disciple who studied complete version), was handed over to the holders of intangible cultural properties. Accordingly Pansori master singer became a full charger of Pansori teaching. Since 1980s, many high schools of arts and traditional Korean music departments of university have installed. Finally Pansori economic ecosystem has been completed. The ecosystem, however, was a closed circular structure with no inflow of resources from outside through performances. In addition, the authority of the Jeonjudaesaseupnori National Pansori Competition was reduced relatively by the establishment of various competitions since 2000s. As a result, the Pansori economic ecosystem has been reduced in terms of scale as the circulation of the members of various Korean music groups has become impossible. Because of the synergistic effects of these phenomena, Pansori competitions were in a state of stagnation. Recently, the department of Korean traditional music was abolished in some universities. This is the result of a decrease in demand for Pansori education. This, in turn, leads to a contraction in demand for education, which exacerbates the crisis of Pansori. So how can the crisis of Pansori be overcome? The real revival is the revival of the Pansori audience. So that the resources of money should flow into the Pansori economic ecosystem.