‘전주대사습놀이전국대회’의 역사성 형성 배경과 정착 과정에 대한 연구

Abstract

The point of departure for this study results from the position that the governmental support and cultural policy hold a key post in the background that a local festival is revived and created and this cultural policy reflects national ideologies. And it is thought that Jeonjudaesaseupnoli National Competition which was revived in 1975 also reflected the ideology of Yushin government according to this position. This study tried to examine the process that historicity about the revival of Daesaseup was discovered and how it found its identity again through the first competition. Pansori appealed to society as the traditional arts and the governmental support of cultural policy had rapidly increased in 1970s. And Jeonjudaesaseupnoli Competition was revived in the period of the five year plan to restore literature (1974-1978) that interests in the local festivals began in earnest. In this social background, The people in Jeonbuk branch of the Korean Traditional Music Association got to find historicity based on the records of ‘Daesaseup Tongincheong Jeonjubu’ which is described as the competitive playing space of great singer and entertainer of Pansori. But image of Daesaseup described in this can be considered as the play of the entertainer of Pansori held for fun after seasonal ritual events by Jeonju Government Office in Dongji. In spite of the efforts to revive the local Pansori festival by the Korean Traditional Music Association, historicity of the archery match was intervened in the period that the competition was revived. In spite of the poor base by absence of literature and oral tradition, the archery match secured the historical position earlier than Pansori. But the Korean Traditional Music Association which originally had no any plan to hold the archery match could not execute it straight. So the side of the Archery Summerhouse (Cheonyangjeong) which try to join the local culture called JeongjuDaesaseup Competitions was intervened. This can be confusion of historicity about the local festivals and the part that seizes hegemony occurred in it. This paper can be the one which tried to examine how historicity of the local cultures is discovered to make a cultural event called the local festival stable and the correlation of it with the national ideology.