정읍우도농악의 오채질굿에 관한 연구

Abstract

Farming music of Jeong-eup Woodo region is known as the source of farming music of Honam Woodo region. I have researched the tune of the Ochaejilgut, especially on the musical changes that has been made periodically to see the relation between the two as well as its transmission. The earliest record we can find on these two subject is from the Ochaejilgut of Sa-jong Jeon and Sa-seop Jeon in 1970. Farming music of Honam Woodo Pangut is also recorded on the book by professor Bo-hyung Lee. According to his record, it is consisted with 5 consequence rhythms which are three 10 beats followed by two 9 beats. In total it has 48 beats, more specifically grouped rhythm of 2/3/3/2, 2/3/3/2, 3/2/2/3, 3/3/3, 3/3/3. Recordings on the Ochaejilgut music is shows significance since both of the musicians who are performing in the record were the first generation of its music and also regarded as one of the oldest reference material in this field. The second recordings were made on the 1983, by performing group leaded by Yong-bae Kim. The music then, was performed differently from what has been recorded formerly because it was in the rhythmically grouped mixture of 10 beats, 14 beats, 10 beats, 6 beats and 9 beats. Later, on 1986, it was rhythmically re-grouped and the tune of its music shows was again, performed in the mixture of 10 beats, 11 beats, 10 beats followed by two 9 beats in a row. The difference between earlier recordings of Sa-seop Jeon’s compare with Yong-bae Kim’s is that only second beat has been extended from 10 to 11 beat. Another musical reference can be found from the recordings of Nam-young You from 1980 to mid 1990. It show almost the same rhythmic patters as Jeon’s, except on the 4th rhythmic patters, it shows two distinctive vibrations compare with what formerly performed with only one vibration. But other than that, it does not show any remarkable changes. But the recordings of Ji-hwa You shows dramatic changes in its rhythmic pattern compare to the former records. It is consisted with mixture of 10 beats, 11 beats, 10 beats, 15 beats and 9 beats, in total 55 beats while former records from others only show 48 and 49 beats. First rhythm is grouped in 2/2/3/3/, second one is in 2/2/3/3/. Also, changes on the fourth rhythmic group can be found but it also shows some connection with what has been changed on the second recording from Yong-bae Kim. Because on the fourth rhythm he performed it with 2 vibrations, and Ji-hwa You’s musical tune shows possibility of repeating this particular part twice, resulting the changes on the entire length of the music. These extended version is now mostly transmitted among more than half of the musicians who are performing farming music in Jeong-eup city area. Musical style of Nam-young You has been transmitted among the musicians of Jeong-eup Woodo and other smaller areas around. This is the current status of transmission of Ochaejilgut music. These kind of periodic changes of the musical tune might be natural thing to be happen. Due to its musical complexity as well as difficulty, with many different rhythmic patterns mixed together, may be certain changes on its rhythm has requested among the musicians who perform these. Because its complex and dynamic rhythmic patters, music of Ochaejilgut regarded as one of the essence of Woodo region farming music. Rhythmic patter of Ochaejilgut and its change can be also shown on the Woodo region farming music that are performed among other regions and therefore I would like to suggest more researches and studies on its music must be conducted among many musicologists.