오태석의 <백마강 달밤에> 판본비교 연구

Abstract

This paper <Baengmagang Dalbame> Compare the editions were made to reconstruct the genealogy of them based on performance. The purpose of this study is to introduce the <> edition of Oh Tae-Suk and investigate the playwright and stage performances 2014 edition revealed the acceptance process since 1993. The configuration is the first manuscript and scene development is that different types of text followed by a literary script and performances. Towol Theater editions(1993) of the biggest changes is the stage that directed the panoramic scene of ‘Purgatory(冥府)’. Finally, we compare the Dongsoong Arts Center editions(2004) and the Drama Center editions(2014). By comparing the two editions embrace the ‘Byeolsingut’ to stage type ‘Soon-dan’ performance through the shaman to perform a structural form and the scene is found that changes. This article explores the changing relationship between the <Baengmagang Dalbame> show the text that this scenario to demonstrate the performance four conversions. This study is based on a list made by the researcher. The list archives are collected and stored in a lawsuit extreme ‘Mokwha’. Changes in the performance script <Baengmagang Dalbame> is the theatrical text of the premises as a troupe of cotton production methods and Oh Tae-seok audiences and communication. In this study, the first manuscript <Baengmagang Dalbame> (rehearsal manuscript) and other versions that is, the text explores the formation process of performing a concert text changes. The dramatist Oh Tae-seok has proved to serve as one of the ‘event’ and meet the audience and the actors that made the theater through performances and rehearsals of ‘doing’. This paper shows where and when the other <Baengmagang Dalbame> script text are different performances, but also in their performances compared to the change process is the process of text can be found performing. Therefore, this paper is the basis for describing the writing of the character and detained Oh Tae-seok. In addition, the course of the concert stage and text study reflects the variability, it is significant as a record of the performance-Writing. This study investigated the “Changing Poetics” in the features of his writing and directing. This study was conducted on the basis of the screenplay and the director notes confirming through the archived data from the archive of the theater.