金陵 南公轍의 書畵에 대한 관심과 『書畵跋尾』

Abstract

This study aims to examine one aspect of literary activity that existed around the late 18th century and the turn of 19th century by analyzing 『Seohwabalmi』he left and appreciative criticism activities of Keumreung Namg Gong Cheol for calligraphic works. For this purpose, I examined the appreciative criticism activities of calligraphic works of Namg Gong Cheol first. He interacted with people around him with calligraphic works as a medium and tried to implement the life full of literary preference, showing the representative model of literati absorbed in arts. I traced what was the self-portrait he tried to draw and what literature knowledge he wanted to obtain to accomplish this through his words and behaviors. In addition, I examined the process of writing 『Seohwabalmi』 and through this tried to obtain clear understanding on internal nature and external organization of 『Seohwabalmi』.