조선후기 서화제발(書畵題跋) 연구 ― 小道論을 중심으로 ―

Abstract

As a new academic trend called Bukhak was added to the cultural foundation that had been in full bloom in the latter part of Joseon, people had more and more interest in epigraphs and developed a greater taste in paintings, calligraphic works and antiques. Those days it was common among intellectuals to create paintings and calligraphic works, appreciate them, engage in discourse about them, and further criticize paintings and calligraphic works of the past and also their contemporary Yedan even though they were not professional painters or calligraphers. In Joseon, intellectuals were thus able to equip themselves with the basic refinement about paintings and calligraphic works essentially. Jebals of paintings and calligraphic works, which are records about episodes or reviews of paintings and calligraphic works, were other cultural products of literary people in Joseon. They called paintings and calligraphic works so-called the remaining talent and work or little talent and craft, voicing their opinions about paintings and calligraphic works. In the latter part of Joseon, the Sodo theory in Jebals of paintings and calligraphic works was cultural discourse to understand them as a cultural concept of implementing truth from Confucian scholars' perspective of Bonmal theory called Dobonyemal and practicing it personally.