조향 시의 새로운 양식적 실험, ‘영화시’

Abstract

I studied about the 1950's Poetry of Cho Hyang the most unique poet of the 'Hubangee' coterie in this thesis. Cho Hyang is the one of very famous surrealist in Korea. He wrote a lot of surrealistic poems using the method of Automatism and Depaysement that the typical technique of surrealism. And he found the very new way to write the Ciné-Poéme. He was thinking that is most important to make the pure image whether it is a poem or film. So he was interested especially about the avant-garde film and wrote some poems were influenced by those films and he named them Ciné-Poéme. Cho Hyang believed the poet's ability would be concerned with the skill of montage like to edit a kind of avant-garde film. He was very recognized the similarity between the Depaysement and Montage. Especially, He believed that the scenario and the poetry are similar. So he wrote some poems was same form with the scenario. There were various terms for making films for example C.U(Closed up), L.S(Long shot) etc. in his poems the Ciné-Poéme. He is really different poet from the other poets of 1950's and 1920~30's modernist. Anyway, in those poems, he tried to express about the contradiction of those day's Korean society after the Korean War. This is the very only try to write poems were concerned with films.