예술로서의 시, 예술가로서의 시인- 조정권 시에 나타난 예술가적 자의식을 중심으로 -

Abstract

The statement that poetry is art and poet is an artist seems natural. However, the self-consciousness of 'poetry as an art and poet as an artist' is only revealed by some poets in our modern poetry, but it is not revealed much.,This thesis is about Jo Jung-gwon's poem, one of the representative poets who are strongly revealing the artist's self-consciousness in Korean modern poetry. The purpose of this thesis is to examine the artistic self-consciousness of his poems and poets, and to examine the manifestation of the perception of artists and works of art. Chapter 2 of this thesis examined the poet's universal perception of art and the artist itself. Poems such as 「Dokrakdang(獨樂堂)」, 「Cosmos」, and 「Awl Eye(송곳눈)」 were targeted. The attitude as an artist in these poems is the basis of the poet Jo Jung-gwon to live as a spiritual being. Chapter 3 looked at the poet's self-consciousness about 'poetry as art'.Through poems such as 「Blank1(白紙1)」, 「Killing the Blue(殺靑)」, and 「Graveyard on Mountaintop11」, it was confirmed that poetry is not a creative activity as a literary act, but a poetry art and it is a thought process of the spirit that seeks an ontological origin. Chapter 4 looked at self-consciousness about 'a poet as an artist'. I was able to identify the aspect of a monk-like artist through the poems of 「The Seven Forms of Mind Looking at the Rain」, 「The Fundamental Thoughts」 and 「I try to put myself to sleep」 Through his poems, Jo Jung-gwon has pursued a "spirit" with self-consciousness as an artist. The spirit could be narrowed down to the spirit of an artist. He lived as an artist. And what he was trying to express was the sacredness of the object rather than the content of the expression. From the awareness that poetry is art, his poetry confirms that it is a departure.