조정권 시에 나타난 만년의 양식과 그 의미

Abstract

This paper examines the question of whether Cho, Jung-gwon's poetry can be seen from the aspect of the late style. Edward Said said, “The power to reveal both as they are without resolving the contradiction between enlightenment and pleasure is a characteristic of the late style” in 『On late style』 What exists is the mature subjectivity of an artist who has abandoned his arrogant attitude and is not ashamed of fallibility, and who has gained careful conviction due to old age and exile.” The fact that poetic characteristics that are mutually heterogeneous and seem to be located in some way completely opposite to each other exist simultaneously, and without being ashamed or sorry for revealing them, and by pursuing one, it is not to delete or abolish the other, but to I think that revealing both at the same time can be looked at from the aspect of the style of later years. It is because the distinct characteristics of Cho Jung-gwon's poetry, that is, the simultaneous existence of modernist tendencies and oriental aesthetic characteristics, can be said to be a good example of this style. Realization and joy can be said to be the greatest blessings that can be obtained by those who have suffered, and it is thought that it can be said that the poems of Jo Jung-gwon, especially those written in the later years of his life, symbolize these blessings poetically. Cho Jung-gwon's poetic journey is the journey to reach the goal of completing life only through poetry by discarding all shame or arrogance and focusing on poetic thought itself.