김현의 김춘수 시 비평 연구

Abstract

This study examines the overall criticism of Kim Chun-soo’s poetic works and reveals how Kim Hyun analyzed the aspects of existence and historicality in Kim Chun-soo’s works. It also explains how Kim Hyun understood his phenomenological turn, and subsequent poetic changes, and Kim Chun-soo’s meaningless poems, and what was different with the established discussion about Kim Chun-soo’s meaningless poems. Kim Hyun understands that Kim Chun-soo wrote the poem to focuse on revealing the true existence, ‘the golden light’. It is explained by ‘the principle of inner nature’ that flame is hidden inside of existence, and ‘the principle of discrimination’ that existence reveals golden color and distinguishes it from others. Kim Hyun analyzed the series of “Cheoyong” and “The Girl’s Death in Budapest,” and understood that Kim Chun-soo also integrated the issue of historicality at this existential level. Kim Hyun believes that the aspect of integration can be changed depending on whether Das Andere is inside or outside the poet. Kim Hyun understands the period when Kim Chun-soo wrote poems based on phenomenological observations as ‘the aesthetics of allusion’, and ‘the poetry of echo and mana.’ Kim Hyun commented that Kim Chun-soo concentrates on drawing the entire effect without giving a unnecessary comments. Kim Huyn evaluates that Kim Chun-soo reveals the characteristics of ‘ambiguity’ by using these techniques, that which explains that Kim Chun-soo’s poems can be suggested. Kim Hyun evaluates that Kim Chun-soo is successful in establishing relationships between images and eliminating obvious things that can be inferred, by techniques of resemblance. Kim Hyun points out that Kim Chun-soo’s poetic of suggestion is also in contact with Mallarmé, and just as the ‘April 19=Malame= Freedom’ schematic was established for Kim Hyun, the proposition of ‘March 15=Freedom’ was established for Kim Chun-soo. Kim Hyun thinks that the poetry of Mallarmé’s nothingness has been transformed into meaningless in the Korean context in Kim Chun-soo. Kim Hyun thinks that what Kim Chun-soo says is an extreme state of nirvana and a state unrelated to life. Therefore, Kim Hyun explained that Kim Chun-soo’s meaningless poem was derived from the idea of exploring his origin and attaching meaning to himself, and he calls it a poem that eventually brightens the light of existence. Kim Hyun understands that Kim Chun-soo try to acquire removing the pressure which fake names given to things, and dailiness and convention by planning a poem ofmeaninglessness or innocence.