김춘수 시의 변화에서 역사와 사회가 지니는 의미 연구

Abstract

This thesis tries to clarify the meaning of the historicity and the sociality in Kim, Chun-su's poems focusing on the poems that reveals an interest in history and society of his poetry. While focused on the ontological concern he struggled to invent his own poetic by eliminating the formation of the language and the referent, and this is so-called the meaningless poetry(Muemisi). Previous studies identified with the history and ideology of violence and shelled the historicity and sociality that want to pay attention to his remarks, when these attributes are characteristic of his mid-nonsense discussion on the majority of which were coupled with. This paper paid attention to the reality of history and social and tried to clear the effect on the poems. The important feature of poetry and poetics of Kim's is the rejection and the denial on the historicity and the sociality, and this has been the indicator of the pure poetry. Japanese imperialism and the prison experience often mentioned in his prose, which is noteworthy in this record is the project of meaningless poetry, the ontological care and the consciousness of the society and the history is considered at the same time. What is said through a form of poetry is the ontological poetry, the outcome of the investigation to the other shore of the concept is the meaningless-poetry, and also to call socio-historical poetry that targets the junction of the language and the referent. The poems listed in Drawings of flowers(꽃의 소묘) and The death of a girl in Budapest(부다페스트에서의 소녀의 죽음) are written in the category of the history and society, which remark the accusations of violence and confession of embarrassing moment of the experience. This series of course lead Kim to the meaningless-poetry.