김춘수의 ‘무의미’ 사유 방식 연구-『타령조․기타』, 『남천』을 중심으로

Abstract

In this paper, the distinction between sense and nonsense is considered to be related to the Kim Chun-soo’s way of thinking. In this way, we examine the meaning of ‘nonsense’ and the practical direction of Chun-soo’s in the poetry corresponding to the transition period to ‘nonsense poetry’. Considering the series of poems in the Taryungjo and other works, Namcheon and Kim Chun-soo’s poetics, the ‘nonsense poetry’ of Kim Chun-su are first, poems composed of descriptive images with ‘object=idea’ removed, and second, only rhythms in which no image can be generated It is poetry. This ‘nonsense poetry’ of Kim Chun-Soo was introduced to destroy the prejudice of reproduction of ideas and history. To overcome this prejudice, it is necessary for the poet to be faithful nihility. However, even the nihility cannot avoid the moment when it becomes materialized as ‘prejudice=idea’, so the poet’s nihility appears as a constant denial. This is why Kim Chun-soo’s ‘nonsense’ cannot become ‘complete meaningless’. At the same time, this is evidence that Kim Chun-soo’s ‘nonsense’ is not just an experiment of language, but a poet’s way of thinking. Therefore, it is important for the poet to ‘process itself’, which constantly deletes ‘object=idea’. From this point of view, it is also clear why Kim Chun-soo was dealing with Cheoyong, Lee Joong-seop, and Jesus. Kim Chun-soo was able to extend the ‘nihility thinking’ through objects that had sincerely endured his pain in front of the violence of idea and history. There are also ‘object=idea’ such as Cheoyong, Lee Joong-seop, and Jesus in Taryungjo and other works, and Namcheon, the first attempts of ‘nonsense’. The reason is that Kim Chun-soo’s ‘nonsense’ was the poet’s way of thinking to catch ‘the moment of enduring nihility’. In short, for the poet, this ‘moment of nihility’ is an absolute ‘place of thought’ that is painful but cannot be avoided and must be pursued constantly but cannot be completed forever.