최하림 시에 나타난 풍경의 의미 - 시적 전언의 형상화 과정을 중심으로

Abstract

It can be seen that Choi Ha-rim's poetry consciousness was developed from the pressure of historical consciousness to the emphasis of individuality. The most notable thing in Choi Ha-rim's early poems was the seriousness of a strict sense of history based on moral self-consciousness. However, during the period from mid to late, the center of poetry shifted from history to individuals. He went further and opened up a new poetic world through the re-recognition of things and landscapes. In this article, it was intended to explain the process of transformation, focusing on the relationship between the subject and the subject, in the process of shaping the poetic message. In his early poems, moral self-consciousness about history and reality was strongly involved in the relationship between poets and objects. As a result, the landscapes found in the works of this period consisted of objects that were given the role of symbols. The meaning of the space was also found to be serving the purpose of delivering the speaker's message. However, after the mid-term period, the center shifted from "we" which symbolizes the universality of the historical community, to "I" which reveals the individuality of the subject. And attitudes toward poetic objects have changed, too. The position of objects was strengthened in mid-term works. As a result, the landscape has become a space where the meaning of objects is extended.