20세기 스페인 피카레스크 소설
20th Centry Spanish Picaresque Novel
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The picaresque novel started in Spain in 1554 with Lazarillo de Tormes and the genre was established with Mateo Aleman's Guzmán de Alfarache in 1599. This style of novel originated in 16th century Spain and flourished throughout 17th, 18th and 19th centuries, and it continues to influence modern literature. The representative works of 20th century picaresque novels are La lucha por la vida of Pío Baroja, El Chiplichandle of Juan Antonio Zunzunegui and Retablo de picardías of Manuel Barrios. The protagonist of the picaresque novel is called picaro, an alienated outsider and who, in first-person, states that the motivation for his writing is to communicate his experiences of overcoming deception, hypocrisy, and falsehood of the society. So most picaresque novels incorporate several defining characteristics such as satire, comedy, sarcasm, acerbic social criticism, and can be consequently defined as social novels. As in early picaresque novels, 20th century spanish picaresque novels narrate the life of a picaro in order to explain a particular situation. But in many cases the situation resulted from political ideas, and the novels strived to put forward a political critique of 20th century Spain. In this study we can find the value of these works as political novels.
Abstract
The picaresque novel started in Spain in 1554 with Lazarillo de Tormes and the genre was established with Mateo Aleman's Guzmán de Alfarache in 1599. This style of novel originated in 16th century Spain and flourished throughout 17th, 18th and 19th centuries, and it continues to influence modern literature. The representative works of 20th century picaresque novels are La lucha por la vida of Pío Baroja, El Chiplichandle of Juan Antonio Zunzunegui and Retablo de picardías of Manuel Barrios. The protagonist of the picaresque novel is called picaro, an alienated outsider and who, in first-person, states that the motivation for his writing is to communicate his experiences of overcoming deception, hypocrisy, and falsehood of the society. So most picaresque novels incorporate several defining characteristics such as satire, comedy, sarcasm, acerbic social criticism, and can be consequently defined as social novels. As in early picaresque novels, 20th century spanish picaresque novels narrate the life of a picaro in order to explain a particular situation. But in many cases the situation resulted from political ideas, and the novels strived to put forward a political critique of 20th century Spain. In this study we can find the value of these works as political novels.
참고문헌 (13)
- Álvarez Palacios, Fernando, "Novela y cultura española de posguerra" (1975), Editorial Cuadernos para el diálogo
- Baroja, Pío, "La busca" (1972), Editorial Caro Raggio
- Baroja, Pío, "Mala hierba" (1972), Editorial Caro Raggio
- Baroja, Pío, "Aurora roja" (1972), Editorial Caro Raggio
- Barrios, Manuel, "Retablo de picardías" (1972)
- Blanco Aguinaga, Carlos, "Juventud del 98, Siglo XXI de España Editores" (1970)
- Cela, Camilo José, "Nuevas andanzas y desventuras de Lazarillo de Tormes" (1963), Editorial Noguer
- Eustis, Christopher, "Politics and the Picaresque in the 20th-Centuray Spanish Novel, Revista de Editores Hispánicos" (1986), University of Alabama Press
- Gil Casado, Pablo, "La novela social española" (1973), Seix Barral
- Ornstein Jacob, "Una década de la novela española contemporánea", Revista Hispánica Moderna, 17 (1951), Columbia University
- Praag Chantraine, J. van, "Pícaro en la novela española moderna", Revista Hispánica Moderna, enero, (1) (1963), Columbia University
- Sobejano, Gonzalo, "Sobre la novela picaresca contemporánea", Boletín del seminario de derecho político (1964), Universidad de Salamanca
- Zunzunegui, Juan Antonio de, "Obras completas de Zunzunegui" (1969), Editorial Noguer