피카레스크 소설에 나타난 서사적 장치로서 음식과 그로테스크한 변형 -『라사리요 데 토르메스 Lazarillo de Tormes』와 『사기꾼 El Buscón』을 중심으로-
Food and Its Grotesque Variations as a Narrative Device in Picaresque Novels: Focusing on Lazarillo de Tormes and El Buscón
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The picaresque novel, which forms the basis of modern realism literature, features a ‘pícaro’, a character ostracized from the established social order, and represents a narrative dealing with life under a more realistic view, very far from the previous literary tradition of portraying life in idealistic or symbolic ways, such as those appearing in chivalric novels, court novels and pastoral novels. The modernity based on the affirmation of everyday life is related to the meaning of objects as they are perceived by human senses in daily life, breaking away from the allegorical interpretation which presupposed that there is a transcendent meaning behind any object. The modernity of this aspect in the picaresque novels can be seen through food and its grotesque variations, which are linked to pícaro's life journey. His life can be summarized as: first, hunger and step away from it, second, expressing the desire for a rise in status, and finally, as seen in El Buscón, when it is not accepted by the existing social structure, which frustrates his desire. The food and its grotesque variations function as a narrative device intimately connected to those aspects.
Abstract
The picaresque novel, which forms the basis of modern realism literature, features a ‘pícaro’, a character ostracized from the established social order, and represents a narrative dealing with life under a more realistic view, very far from the previous literary tradition of portraying life in idealistic or symbolic ways, such as those appearing in chivalric novels, court novels and pastoral novels. The modernity based on the affirmation of everyday life is related to the meaning of objects as they are perceived by human senses in daily life, breaking away from the allegorical interpretation which presupposed that there is a transcendent meaning behind any object. The modernity of this aspect in the picaresque novels can be seen through food and its grotesque variations, which are linked to pícaro's life journey. His life can be summarized as: first, hunger and step away from it, second, expressing the desire for a rise in status, and finally, as seen in El Buscón, when it is not accepted by the existing social structure, which frustrates his desire. The food and its grotesque variations function as a narrative device intimately connected to those aspects.
참고문헌 (22)
- 강필운, "빵의 수사학: 『라사리요 데 토르메스』를 중심으로", 스페인라틴아메리카연구, 10(2), pp.63~92 (2017), 스페인 라틴아메리카 연구소[DOI]
- 권미선, "스페인 피카레스크 소설, 순응주의 문학", 스페인어문학, (47), pp.83~107 (2008), 한국스페인어문학회
- 김주언, "김훈 소설에서의 음식의 문제 - 장편 역사소설을 대상으로", 우리어문연구, (43), pp.389~412 (2012), 우리어문학회[DOI]
- 김춘진, "피카레스크 소설의 리얼리즘 정신", 서어서문연구, 7, pp.83~99 (1995)
- 김춘진, "스페인 피카레스크소설" (1999), 아르케
- 미셸 푸코, "말과 사물" (2018), 민음사
- 박영선, "미학적 자연 개념의 역사", 철학탐구, 15, pp.229~270 (2003)
- 이가형, "피카레스크 소설" (1997), 민음사
- 조한경, "사실주의" (2012), 지식을만드는지식
- 최낙원, "라시리요 데 토르메스의 삶, 그의 행운과 불운" (2008), 지만지고천천줄
- 캐롤 M. 코니한, "음식과 몸의 인류학" (2005), 갈무리
- Anó́nimo, "Lazarillo de Tormes" (1984), Cátedra
- Arcipreste de Hita, "Libro de buen amor" (1988), Castalia
- Berceo, Gó́nzalo de, "Milagros de Nuestra Señora" (1972), Espasa-Calpe
- Cruz, Anne J., "Discourse of poverty: Social Reform and the Picaresque Novel in Early Modern Spain" (1999), University of Toronto Press
- Guillén, Claudio, "Historia y crítica de la literatura española 3" (1983), Crítica
- Iffland, James, "Quevedo and the Grotesque 2" (1983), Tamesis
- Maravall, José Antonio, "La literatura picaresca desde la historia social (Siglos XVI y XVII)" (1987), Taurus
- Maravall, José Antonio, "Velázquez y el espíritu de la modernidad" (1999), CEPC
- Negrín de la Peña, José́ Antonio, "La mesa del Dó́mine Cabra: comida y vino en la novela picaresca del siglo de oro español", Estudio Avanzados, 18, pp.75~99 (2012)
- Quevedo, Francisco de, "El Buscón" (2007), Edimat libros
- Spitzer, Leo, "Francisco de Quevedo", pp.123~184 (1978), Taurus
