《鄮峰眞隱大曲》 수록 〈採蓮舞〉의 詞調 운용 고찰

Abstract

This paper examined the use and meaning of tones in “Cailian Wu”. The “Cailian Wu” is a Daqu of Song Dynasty in Shihao’s Maofengzhenyin Daqu. Shihao wrote about the progress of the performance, the situation of singing and dancing, and the lyrics of the song in his pieces. From this, we can look at the change of Daqu of Song Dynasty. The biggest change in “Cailian Wu” is that it used tones only. This has five meanings. First, “Cailian Wu” actively used tones related to lotus flowers. it is about fairies coming down to a lake in which lotus flowers are blooming and praising a reign of peace by dancing and singing. Therefore, it actively used “Shuangtoulian Ling” and “Yujiaao”, which tones sang about lotus and a reign of peace. Second, it played and sang the same tone, thereby feeling a sense of musical harmony. Third, it was not sing and play music at the same time, and the order of those may change. This indicates that music was played separately when singing a tone in the Southern Song Dynasty. Fourth, there is singing alone and singing with others, but singing alone is much more important. Fifth, Shihao pursued a new tone or different form more. This aspect of the “Cailian Wu” helps to understand the relationship between the Daqu of Song Dynasty and the tones, and its changing trend. And when we study TangYue of Gaoli Dynasty in Korea, we can look at it in contrast.