초기 『文藝報』 문학비평 형식 연구 — 馮雪峰 主編 시기(1952-1954)를 중심으로

Abstract

This study examined the criticism forms of Journal of Literature and Art, which was the most authoritative publication in literature and art criticism after 1949. This study considered the position and importance of Journal of Literature and Art in the 1950s in contemporary Chinese literature and art. It also described how Journal of Literature and Art was uttering while arranging and using the corners of the publication between 1952 and 1954, when PENG Xuefeng was in charge of editorship. In this study, we also discussed in this publication, which is believed to have been given authority, how much the editors needed 'authority' for editing and planning, and for that purpose, how had they used these corners, such as ‘Editor's Word', ‘Reprint', ‘Reader's Letter', ‘Self-Criticism', other special discussions and reviews, and how each corner was used as a response to criticism poured out on them. The mechanisms surrounding China's contemporary literature and literary criticism are basically based on those newly established after its founding in 1949. Of course, the current mechanism has undergone significant changes. However, if there is an understanding of the mechanism formed in the early 1950s, it will be the basis for examining what has been passed down there, what has changed greatly, and why such a change occurred. On the other hand, in order not to dismiss literature and literary criticism of the 1950s simply as ‘political literature' and to draw out its meaning more abundantly, I think research through 'cultural study' methodology that examines the mechanism should be preceded. I hope this study will serve as a foothold for such follow-up studies.