1930년대 ‘상하이 영화’와 ‘중국 영화’의 형성
Shanghai Cinema in 1930’s and Formation Chinese Cinema
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This paper starts from criticizing a simple methodology, historical causationism in studying Shanghai cinema. The political contexts hidden the inside of the naming, ‘Shanghai cinema’, has been reconstructed in a long historical time by multi accumulation and projects. We should approach through multi courses, not simple. It has been concerned with not only locality of Chinese cinema but also nationality of it. It also has been related to description Chinese cinema history, nostalgia, a huge project by Shanghai today, and a level of post coloniality in historic discussion. It should not be treated as an urban cinema or a topic in Chinese cinema. It is a process of discourse that be connected multi network complicatedly. This paper argues the premise reconstructed ‘Shnaghai cinema’, cultural politics of the naming, connection with description of Chinese cinema history, nostalgia project and the example, and border of post coloniality.
Abstract
This paper starts from criticizing a simple methodology, historical causationism in studying Shanghai cinema. The political contexts hidden the inside of the naming, ‘Shanghai cinema’, has been reconstructed in a long historical time by multi accumulation and projects. We should approach through multi courses, not simple. It has been concerned with not only locality of Chinese cinema but also nationality of it. It also has been related to description Chinese cinema history, nostalgia, a huge project by Shanghai today, and a level of post coloniality in historic discussion. It should not be treated as an urban cinema or a topic in Chinese cinema. It is a process of discourse that be connected multi network complicatedly. This paper argues the premise reconstructed ‘Shnaghai cinema’, cultural politics of the naming, connection with description of Chinese cinema history, nostalgia project and the example, and border of post coloniality.
참고문헌 (21)
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