《東方雜志》對小說《牧羊哀話》的影響研究

Abstract

Eve of the May Fourth Movement, as one of the most influential domestic publications at that time, the Eastern Miscellany was the important positions for the publication of literary works. Guo Moruo submitted his first novel Kulou to the Eastern Miscellany, but was rejected by the Eastern Miscellany. Guo Moruo began to create the second novel Muyang Aihua in accordance with the aesthetic standards of the Eastern Miscellany. In terms of themes, Muyang Aihua emphasized the sociality of inspiring and motivating the people. Muyang Aihua used North Korea, a neighboring country that is both familiar and unfamiliar to the Chinese, as the background of the story. The novel made extensive use of Buddhist and Christian cultural images, which was very preferred by Oriental Magazine when selecting manuscripts. The novel skillfully used the creative skills of Chinese traditional poetry and Chapter novel . The novel used creative means such as rhyme and drama dialogue. After Guo Moruo’s careful design, the standards of Muyang Aihua and the Eastern Miscellany were becoming more and more consistent. But when the novel was finished, the Eastern Miscellany was criticized by critics as “conservative” “restored” and “no social responsibility” publications, and its reputation plummeted. Because of the deterioration of the reputation of the Eastern Miscellany, Guo Moruo gave up his plan to vote Muyang Aihua to the Eastern Miscellany. Guo Moruo submitted his novel to the Magazine of New China, which was lower in reputation and status than the Eastern Miscellany, and was finally published. Muyang Aihua became Guo Moruo’s first publicly published novel, and it has a very important position in the Chinese literary world.