當代中國“國風”文化現象略論
The cultural phenomenon of contemporary Chinese ‘National style’
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21世紀中國社會中的“國風”現象風靡,並在全民範圍尤在青年人群中大受歡迎。與傳統文學中的“國學”、“國風”概念不同,新時期的“國風”文化作為亞文化的一種最初出現於少數群體、特定圈層,有著特定受眾。因其主體多為青年人群,故也表現出與其他青年群體文化類型相似的特點:如互聯網特性、圈層聚合特性等。對於“國風”文化,青年人群不僅欣賞傳播這一文化,消費、衍生相關產品,還利用各種技術在數字平台進行各類創作,極大地豐富了“國風”文化的內容,打造著受更多人群喜愛的“國風”生態。商家也敏銳地捕捉到這一熱點,將國風與潮流相結合,不斷推出“國潮”服飾、周邊等商品。這也讓曾略顯厚重的“國學”、“國風”的文化內容呈現出傳統與現代,傳承與發展兼備的特點。 如果說早期“國風”文化多強調傳統的復歸、再現,現階段的“國風”則巧妙地將傳統與現代融合,網絡屬性更為明顯。隨著該文化流行,其內容、表現形式也日漸豐富,群體範圍也從某類圈層年輕群體擴大到整個社會群體,形成為一種現象級的文化潮流。因此,本文將該現象作為研究對象,在簡要梳理其發端興起的基礎上,通過其典型表現形式,如電視節目、電影、服飾、主題產品等方面具有代表性作品的考察,嘗試釐清其發展脈絡,討論問題及未來發展。同時,筆者還希望可以對相關研究提供一些參考。
Abstract
The "national style" phenomenon in Chinese society in the 21st century is all the rage and is very popular among the entire population, especially among young people. Different from the concepts of "Chinese culture" and "national style" in traditional literature, the "national style" culture in the new era, as a subculture, first appeared in minority groups, specific circles, and has specific audiences. Because most of its subjects are young people, it also shows similar characteristics to other youth group cultural types: such as Internet characteristics, circle aggregation characteristics, etc. Regarding "national style" culture, young people not only appreciate and spread this culture, consume and derive related products, but also use various technologies to create various types of creations on digital platforms, which greatly enriches the content of "national style" culture and creates popular A "national style" ecology that is loved by more people. If the early "national style" culture emphasized the return and reappearance of tradition, the current "national style" skillfully integrates tradition and modernity, and its network attributes are more obvious. As this culture becomes more popular, its content and forms of expression have become increasingly rich, and the scope of the group has expanded from a certain type of young group to the entire social group, forming a phenomenal cultural trend. Therefore, this article takes this phenomenon as the research object. After briefly combing its origin and rise, through the investigation of its typical manifestations, such as TV programs, movies, clothing, theme products, etc., it attempts to clarify its development context. , discuss issues and future developments. At the same time, the author also hopes to provide some references for related research.
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