가다머(H. G. Gadamer)의 ‘놀이’ 개념을 통해 본 마당춤의 이해와 해석
Through Gadamer's play understanding the meaning of MADANG(open air) dance
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The logic of Gadamer with concept of 'play' convert the audience who participated in performance passively to the who is leading the performance actively, by dance performance itself is experienced uniquely by dancers choreographers as well as audience and opening the possibilities of change the meaning of work through the communication with audience. After the adapting the play concept of Gadamer to the MADANG(open air) dance, the participating characteristics of yard dance and motility have many similities with the structure of 'play' and we found that the MADANG(open air)dance is the appropriate destination visualizing the transformation as formation by direct participation not just contemplation and excitement or fun with play.
Abstract
The logic of Gadamer with concept of 'play' convert the audience who participated in performance passively to the who is leading the performance actively, by dance performance itself is experienced uniquely by dancers choreographers as well as audience and opening the possibilities of change the meaning of work through the communication with audience. After the adapting the play concept of Gadamer to the MADANG(open air) dance, the participating characteristics of yard dance and motility have many similities with the structure of 'play' and we found that the MADANG(open air)dance is the appropriate destination visualizing the transformation as formation by direct participation not just contemplation and excitement or fun with play.
참고문헌 (22)
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