해석학적 관점에서 본 무용해석의 순환 구조에 관한 연구

Abstract

Artistic activity is completed through creating and appreciating arts. In this process, how to interpret art work has been a main issue since the ancient times. This study aims to discover the self-understanding process of dance art and the circular structure of dance interpretation. It is based on the interpretive process of dance art, which is an object of the interpretation in hermeneutics. The results of this study are as follows: First, prejudice suggested in the circular structure of dance interpretation could be the perspective of understanding a main agent already established in the ontological base of dance art. Second, the circular structure of dance interpretation has the historicity of understanding. The historicity of understanding is the process to induce current understanding agents by interpreting the contents of dance arts formed in the past. Third, the circular structure of dance interpretation consists of conversation structure. The conversation structure is based on the I-You structure as H. G. Gadamer argues. It is the performance of new meaning created through continuous conversations between dance work and audiences. Fourth, the circular structure of dance interpretation is essentially completed through the mutual effects of understanding movement in the past and in the present. It acquires a dialectic of the circular structure of the objective and the subjective.