해석의 대상으로서 무용텍스트의언어적 요소에 관한 연구

Abstract

The multiple meanings in Modern Arts produce the many Interpretation Methods. Among them, we can see Aesthetic of Reception, which is based on Hermeneutics and Phenomenology. This study intends to define the dance art as Text based on the Iser's theory. therefore This study has progressed to explain interpretable object as Dancing text with linguistic character through the methods of Aesthetic of Reception and Gadamer's hermeneutics. To prove the interpretation process of dancing text, this study accepts Gadamer's hermeneutics and sets up the concept of dancing text as a language and suggests multi-mediality & totality in linguistic character of dancing text as hermeneutical existence. First, Dancing text exist open structure and has performing character through active behavior of audience. Second, Dancing text contain indeterminancy and implied audience in itself and linguistic character of 'speaking'. Third, 'speaking' linuistic character of Dancing text contain various linguistic element and could be suggest in body language, plastic art language, music language, written language. fourth, various linguistic element of Dancing text has existed in character with multi-mediality and totality. In Dancing text, element of Multi-meliality be existed in object of interpretation through organic interaction with that be suitable to title or intend of choreographer.