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카니발리즘으로 토니 모리슨의 빌러비드 읽기

Reading Toni Morrison’s Beloved with Carnivalism.

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Kang, Junsoo. “Reading Toni Morrison’s Beloved with Carnivalism.” Studies in English Language & Literature. 41.3 (2015): 1-22. This paper examines the identity and life of black people through in Toni Morrison's Beloved. Beloved has elements of excessive violence, anti-authority, and festival. These are a definite tendency of carnivalism, which Russian critic, Mikhail Bakhtin theorized. The characteristics of carnivalism contain four categories of the carnival sense of the world. First, familiarization is linked with the concept of the carnival square where people who in life are separated by impenetrable hierarchical barriers enter into free familiar contact. Second, eccentricity permits the latent sides of human nature to reveal and express themselves. Third, mesalliance is a free and familiar attitude spreads over all values and thoughts. Fourth, profanation which means carnivalistic blasphemies is linked with carnivalistic parodies on sacred things. The focus of this paper is abnormal human images, character's grotesqueness and ambivalence of language. To represent carnivalism, Beloved reflects the fantastic and supernatural elements. The elements of carnivalism in Beloved are based on magical, surreal, and symbolic aspects that blur the boundaries between life and death. Carnival is a reality emancipation method which tends to get over the suffer of life. That is, it can be interpreted to express internal desire to be liberated from social oppression and heaviness in the limited space-time including 'eternity,' 'immovability,' 'absoluteness,' and 'invariability.' Like carnival where characters emancipate themselves from white-centered society and then enjoy changes and freedom. Carnivalism is a literary reappearance of life as a 'post-central thought' based on the negative side of reality. Additionally, the spirit of carnival is to enjoy the amusement elements of life and is an active method to confront life in literature. By sharing their stories through the elements of carnivalism, black people achieve the power to endure and resist white peoples' suppression. (Anyang University)

Abstract

Kang, Junsoo. “Reading Toni Morrison’s Beloved with Carnivalism.” Studies in English Language & Literature. 41.3 (2015): 1-22. This paper examines the identity and life of black people through in Toni Morrison's Beloved. Beloved has elements of excessive violence, anti-authority, and festival. These are a definite tendency of carnivalism, which Russian critic, Mikhail Bakhtin theorized. The characteristics of carnivalism contain four categories of the carnival sense of the world. First, familiarization is linked with the concept of the carnival square where people who in life are separated by impenetrable hierarchical barriers enter into free familiar contact. Second, eccentricity permits the latent sides of human nature to reveal and express themselves. Third, mesalliance is a free and familiar attitude spreads over all values and thoughts. Fourth, profanation which means carnivalistic blasphemies is linked with carnivalistic parodies on sacred things. The focus of this paper is abnormal human images, character's grotesqueness and ambivalence of language. To represent carnivalism, Beloved reflects the fantastic and supernatural elements. The elements of carnivalism in Beloved are based on magical, surreal, and symbolic aspects that blur the boundaries between life and death. Carnival is a reality emancipation method which tends to get over the suffer of life. That is, it can be interpreted to express internal desire to be liberated from social oppression and heaviness in the limited space-time including 'eternity,' 'immovability,' 'absoluteness,' and 'invariability.' Like carnival where characters emancipate themselves from white-centered society and then enjoy changes and freedom. Carnivalism is a literary reappearance of life as a 'post-central thought' based on the negative side of reality. Additionally, the spirit of carnival is to enjoy the amusement elements of life and is an active method to confront life in literature. By sharing their stories through the elements of carnivalism, black people achieve the power to endure and resist white peoples' suppression. (Anyang University)

참고문헌 (17)

  1. Bakhtin, Mikhail, "도스또예프스끼 시학" (1988), 정음사
  2. Bakhtin, Mikhail, "프랑수아 라블레의 작품과 중세 및 르네상스의 민중문화" (2001), 아카넷
  3. Dobbs, Cynthia, "Toni Morrison's Beloved. Bodies returned, Modernism Revisited", African-American Review, 32(4), pp.563~578 (1998)
  4. Elory, Bernard Mc, "Fiction Of the Modern Grotesque" (1989), The Macmillan
  5. Kim, Young-a, "Carnivalism in Modern Korean Novel" (2005), Pureunsasang
  6. Kim, Wook-dong, "Dialogic Imagination" (1988), Moonji Publishing
  7. Kim, Wook-dong, "Mikhail M. Bakhtin and Dialogism" (1990), Nanam
  8. Lachmann, Renate, "'Bakhtin and Carnival: Culture as Counter-culture", Cultural Critique, 11, pp.115~152 (1989)
  9. Lee, Sang-yong, "Festival and Culture" (2003), Yonsei University Press
  10. Lee, Jae-sun, "Where does Our Literature come from?" (1987), soseolmoonhaksa
  11. Mies, Maria, "Ecofeminism" (1993), Zed Books
  12. Morrison, Toni, "Beloved" (2004), Vintage Books
  13. Park, Hoon-ha, "The History of Body and Literature" (2002), Taehaksa
  14. Phelan, James, "Toward A Reader-Response Criticism: The Difficult, the Stubborn, and the Ending of Beloved", Modern Fiction Studies, 39, pp.709~728 (1993)
  15. Rigney, Barbara Hill, "The Voices of Toni Morrison" (1991), Ohio State University Press
  16. 송은영, "19세기 천사 이데올로기와 유아살해: 엘리엇의 아담 비드를 중심으로", 영어영문학연구, 41(1), pp.125~146 (2015), 대한영어영문학회
  17. Wineman, Aryeh, "Mircea Eliade and the Jewish Holy Day", Judaism, 33(4), pp.485~ (1984)

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