『빌러비드』에 나타난 세드의 자기 징벌 편집증 —팔루스와 강박을 중심으로
Sethe’s Paranoia of Self-punishment in Beloved —Focusing on Phallus and Obsession
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study aims to analyze Beloved focusing on the Sethe's paranoia of self-punishment caused by murdering her baby called Beloved. In this process, the study shows one of the Lacanean theories called phallus and her obsession. Phallus in the work means both absolute power from white people in a racist society and further symbolic, particular power which makes black women joined, tied, and cured with mutual recognition. A majority of black victims in the work have spiritual amputation and bloodstain from white people, so they need to clear the traumatic memories of slavery and share common agonies. As part of it, the quasi-human of the mysterious Beloved, who changes from a vengeful ghost to devil-child, and demonized Sethe try to overcome their own lack and fulfill desires each other through gaze, talk, and voice etc. While a set of being licked, tasted, and eaten by Beloved’s eyes, Sethe in the magic space 124 first becomes physically drained and emotionally depleted, but by the help of her old fellow Paul D, mother-in-law Baby Suggs, and daughter Denver, as time goes by, once locked in her obsession with Beloved, Sethe shows vision with which she can live and moves forward into the new future by losing the identity of slave, of property, and of half-animal. And finally, Beloved’s actual engorgement of Sethe encourages her to face the real world and lead her own life independently.
Abstract
This study aims to analyze Beloved focusing on the Sethe's paranoia of self-punishment caused by murdering her baby called Beloved. In this process, the study shows one of the Lacanean theories called phallus and her obsession. Phallus in the work means both absolute power from white people in a racist society and further symbolic, particular power which makes black women joined, tied, and cured with mutual recognition. A majority of black victims in the work have spiritual amputation and bloodstain from white people, so they need to clear the traumatic memories of slavery and share common agonies. As part of it, the quasi-human of the mysterious Beloved, who changes from a vengeful ghost to devil-child, and demonized Sethe try to overcome their own lack and fulfill desires each other through gaze, talk, and voice etc. While a set of being licked, tasted, and eaten by Beloved’s eyes, Sethe in the magic space 124 first becomes physically drained and emotionally depleted, but by the help of her old fellow Paul D, mother-in-law Baby Suggs, and daughter Denver, as time goes by, once locked in her obsession with Beloved, Sethe shows vision with which she can live and moves forward into the new future by losing the identity of slave, of property, and of half-animal. And finally, Beloved’s actual engorgement of Sethe encourages her to face the real world and lead her own life independently.
참고문헌 (27)
- Antolović, Gordana, "Myths and Stereotypes in Toni Morrison’s Beloved and William Faulkner’s The Sound and the Fury", MA, pp.2013
- Bennett, Juda, "Toni Morrison and the Queer Pleasure of Ghosts" (2014), SUNY P
- Bigsby, Christopher, "Jazz Queen", The Independent, pp.28~29 (1992)
- David, Ron, "Toni Morrison for Beginners" (2016), For Beginners
- Ellis, Kelly N, "The Toni Morrison Encyclopedia", pp.88~91 (2003), Greenwood P
- 가즈시게, 신구, "라캉의 정신분석" (2007), 은행나무
- Green, Amy M, "Critical Insights: Toni Morrison", pp.117~126 (2010), Salem P
- Heller, Dana A., "Family Plots: The De-Oedipalization of Popular Culture" (1995), U of Pennsylvania P
- Hill, Michael D, "The Ethics of Swagger: Prizewinning African American Novels, 1977-1993" (2013), Ohio State UP
- Hostetler, Ann, "Toni Morrison: Memory and Meaning", pp.33~41 (2014), UP of Mississippi
- Joyner, Louisa, "Toni Morrison: The Essential Guide" (2003), Vintage
- 강준수, "카니발리즘으로 토니 모리슨의 빌러비드 읽기", 영어영문학연구, 41(3), pp.1~22 (2015), 대한영어영문학회[DOI]
- 라쇼, 드니즈, "강박증: 의무의 감옥" (2007), 아난케
- 이영철, "토니 모리슨의 신이여, 그 아이를 도와주소서: 모녀관계의 단절로 인한 딸의 트라우마와 ‘성욕 투사적 동일시’", 영어영문학연구, 42(3), pp.105~133 (2016), 대한영어영문학회[DOI]
- Malmgren, Carl. D, "Mixed Genres and the Logic of Slavery in Toni Morrison’s Beloved", Critique, 36(2), pp.96~106 (1995)
- McDonald, P, "Reading Toni Morrison’s Beloved" (2013), Humanities-Ebooks
- Morrison, Toni, "Beloved" (1987), Vintage Book
- Myerhoff, Barbara, "Number Our Days" (1978), Touchstone
- Otten, Terry, "The Crime of Innocence in the Fiction of Toni Morrison" (1989), U of Missouri P
- Perales, Marta Allegue, "Blending the Fantastic and the Realistic: An Approach to Toni Morrison’s Beloved" (2016), USC
- Rand, Naomi R, "Silko, Morrison, and Roth" (1999), Peter Lang
- Raynaud, Claudine, "Toni Morrison: Memory and Meaning", pp.66~79 (2014), UP of Mississippi
- Rice, Herbert William, "Toni Morrison and the American Tradition" (1996), Peter Rang
- Schapiro, Barbara A, "The Bonds of Love and the Boundaries of Self in Toni Morrison’s Beloved'", Contemporary Literature, 32(2), pp.194~210 (1991)
- Sinhā, S, "Post-colonial Women Writers" (2008), Atlantic Publishers & Distributors
- Smith, Valerie, "Toni Morrison: Writing the Moral Imagination" (2012), Wiley Blackwell
- Wagner-Martin, Linda, "Toni Morrison: A Literary Life" (2015), Palgrave Macmillan
