이선관 시에 나타나 있는 마산의 장소성 연구

Abstract

Lee Seon-gwan was a poet who built his creation of poems on his recognition and emotions he had got through experiences in the region of Masan. In other words, to Lee Seon-gwan, Masan was meaningful both as the place of life and as the place to write poems and the main object. He translated various aspects of Masan that he used to look at closely and familiarly and walk around in and his understanding and emotions about it into language as they were, and therefore they themselves became poetry writing. In this way, in Lee Seon-gwan's poems, the history, environment, streets and others of Masan appeared as the central elements of the conditions to form a discourse. Specifically, the streets of Masan are described or restored in the text of Lee Seon-gwan's poems based on daily experiences. In addition to them, there are the poems about the historical memories of Masan, the independent life of the people in Masan, recovery of the nature and so on. The texts, which tell about a democratic society, unification, and life based on the experiences of the history and space of Masan, such as 3․15 movement, and the sea of Masan, fall into this category. Here, he tried to remind readers of the historicity and spirit of 3․15 movement, and his voice criticizing the present Masan that had been changed because of the modern capitalism can be caught as a characteristic. In this study, Lee Seon-gwan's poems in which he both understood the meanings and recognition of Masan from the viewpoint of attachment and wanted to make it critically were analyzed focusing on his recognition of humans and the meanings of placeness.